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Contemporary
Austrian Composers
Rudolf Jungwirth: „fragmente“ – drei Stücke für Flöte,
Violoncello und Klavier (2006)
„Mozart-Reminiszenzen“: Nr. II „leggero, quasi un poco
inquieto“
für Violine, Violoncello und Klavier (2006)
Gerald Resch: “Splitter – Gesten – Nebel – Schleifen”
für Flöte, Violine, Cello und Klavier (2002 – 2005)
Helmut Schmidinger: „...was uns anrührt, dich und
mich...“ Sieben Verhältnisse für Violine
und Klavier nach Texten von Rainer Maria Rilke (2004)
Gunter Waldek: „mixed double“ für Violoncello und
Klavier (1990)
Rudolf Jungwirth (1955) completed his music
studies in Vienna. He is a teacher of counterpoint and
improvisation at Bruckner University in Linz. The work
fragmente was created by applying new layers onto a
piano piece from the year 2004. Fragile thoughts change
with strong outbreaks and not rare lead to silence. So
in three short movements from breaks, cracks and
different density a statement is formed, often
contradicted like our thinking.
Mozart-Reminiscences is a just created cycle dedicated
to the Mozart’s anniversary - 2006. Number 2 refers to
Mozart’s Andante from the piano sonata KV 309. Beside
two short quotations the piece is fed by the material of
this movement. Therewith the music searches to find its
own way – from fragile mimics through strong dialogs to
low tiding.
Gunter Waldek (1953) studied at Mozarteum,
Slzburg with Prof. Helmut Eder. He is Professor of
composition at Bruckner University in Linz.
mixed double for violoncello and piano takes its title
and basic idea from sports: the two players meet each
other with trained routines and nevertheless have to
react to the action of the other player. The excitement
of the piece is a result from the frequent changes of
co-ordination and opposition.
Gerald Resch (1975) studied composition in Vienna
with Michael Jarell and York Höller. He is teaching
musical analysis at Bruckner University in Linz.
Splitter – Gesten – Nebel – Schleifen consists of four
pieces which are engaged in patterns of moving and their
overlapping. Thereby instrumental combinations are used
from solo to quartet. The pieces are melting to a new
organism whose single parts are reflecting reciprocally.
Helmut Schmidinger (1969) studied in Salzburg
with Prof. Gerhard Wimberger and Gerd Kühr. Presently he
is “composer in residence” at Vienna Concert Verein.
…was uns anrührt, dich und mich… refers to seven love
poems of Rainer Maria Rilke, which reveal the loneliness
and being next to each other, getting again strange and
being in harmony. The musical transformation first of
all does not take place through the illustration of
emotional substance, but has its equivalent in the
change of roles between the instruments. |
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